In the last couple of weeks since the election, many of us have been talking, organizing, and planning what to do next. J and I have been focused on connecting with our three main networks of colleagues and friends: those in anthropology/academia, the Chicago-based theater community, and a group of friends who work in more traditional policy fields.
We’ve talked about dividing our efforts into three levels.
1. Engaging with existing democratic institutions and actions
Basically, being a citizen (or an approximation of one, if you are an alien…) and continuing to go through the normal channels, even when it feels hopeless, as a means of asserting the continued necessity of democracy.
Ok, I’m an anthropologist, and basically still an anarchist, so I certainly have plenty of critiques of our existing democratic institutions. But this is not the moment to undermine them, when they are so perilously in danger of collapsing. Therefore by engaging with existing democratic institutions I mean insisting on them doing their job as they are meant to, and challenging the normalization of any shift into fascism.
So: making phone calls to your political representatives on the one hand. And on the other, actively calling out centrist news organizations like NPR, the NYT, the Guardian etc. (i.e., the one’s who consider themselves to be on the left and therefore would be more amenable to pressure) on social media or through writing old fashioned letters to the editor, when they normalize explicit racism.
2. Engaging with local communities and organizations, and doing face-to-face work.
Finding local groups, joining up with them in person rather than just online, asking how we can help. Even if we can only commit to one day a month, doing something in real time where we can also build in-person solidarity and community.
3. Tackling the underlying culture of white supremacy, colonialism, and patriarchy.
Wow! That sounds like a lot for a single bullet point! But basically that means working on the bigger picture problems, which is actually something that anthropologists and artists both have the expertise to do. So creating art that challenges racism, educating students about the history of colonialism. This is the long-term project, but it’s actually one that we have the most expertise and ability to work on, if we put our minds to it.
I hope to be able to share discussions and ongoing work about each of these groups on this blog over the months that follow.But obviously the first group—anthropologists and academics—is the one I know most about, so I’m starting with that.
The AAA in Minneapolis this November was a much needed tonic: from the exhilarating and inspiring keynote address by Melissa Harris-Perry, to the many intense conversations I had with good friends and colleagues I get to see in person so rarely.
At the AAA, and in the weeks since, there have been several organizing efforts; in large part organized around local and national-level political work that we can engage in as anthropologists. These are important, and I hope the momentum continues over the coming weeks and years.
I’ve also, however, been thinking about the kind of work anthropologists and academics specifically can do, that a) draws on our existing expertise and institutional power; and b) is also accessible to those of us who are in less secure positions (e.g., anthropologists who are non-citizens, in non-tenure-track positions, working in conservative institutions that might be hostile to ostentatiously political work, or who are already over-stretched).
I’ve put some of those together in a separate blog post, and very much welcome any comments, discussion, or feedback anyone has, either in private or on this blog. I’ve got a couple of things cooking in my own institution, and will try to update as I make progress.
In the seven years I lived in Chicago before I met J, I think I saw a total of 2 or 3 plays. After we got together we saw about 2 or 3 a week. Now we have the baby, I maybe see about that many a month.
J is my own personal theater planner, guiding me to things he knows I will like, that are well acted, and telling stories I’ll be interested in hearing.
Ok, occasionally we see stuff that fails on all those counts… But at least he’ll warn me ahead of time, so I know what I’m getting myself into. Continue reading
Tuesday Funk is a reading series held every first Tuesday of the month at the Hopleaf bar in Chicago. It features writers from a range of genres, although fiction and memoir tend to be the most common, with about 4-5 people reading their work over the course of the evening. This month’s session introduced me to the fantastic Sarah Michael Hollenbeck, who also happens to be one of the co-owners of the Women and Children First bookstore.